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    Into The Night [Composed by RJ]
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  • Twenty Five (25) years ago if you wanted to record a song, voice over, audio book etc. you would need to go to a recording studio to get a high quality recording. That could cost you at least $50 an hour. Now I can hear you saying “$50 an hour is not that much money” but twenty five (25) years ago $50 was worth more than today’s $50.Now that we have computers and recording programs we can do complete productions right on a laptop. That presents a problem and the problem is too many choices. So what do we do? We look at what other people are saying about the so called “Best” recording programs. First of all, there is no “Best” recording program. Second, the “Best” recording program is what YOU are comfortable with.If you are not a do it yourself person, ask around and I’m sure you will find a friend of a friend with a home studio. The goal here is to find someone who can get you a high quality clear recording your voice, so I would ask to hear some of his/her recordings to see if it matches what you are looking for.If you are a do it yourself person but you don’t have experience in recording, I would recommend you find someone to record you first. The secret is when someone is recording you, ask them questions about what recording program, microphone and interface they are using. I can’t tell you how many artists I’ve recorded that have no idea what I’m using or doing. I’m not suggesting you go out and buy what they are using but it will give you a starting point. From there you can compare what is available to what is in your price range.The number one thing you are looking for is a clear recording of your voice over, podcast or audio book etc. I record vocals in my home studio all the time. Contact me at floricmusic@gmail.com when you are ready to record your next project or if you have questions.
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  • Artist: Do You Have A Producer Or A Beatmaker
    •   Music
    •   Saturday, 30 September 2017
    By Richard “RJ” JohnsonHere is the scenario, One day you and your boys are hanging out and you guys are spitting some rhymes to the current rap tracks. You guys are sounding pretty good, but you know you especially got mad skills and your boys know it too. So they say “Yo Tim’s brother has a studio and he has got some hot tracks, you need to hit him up”. Fast ForwardYou are in the studio recording a nice joint and after you finish doing your thing he burns you a CD and you are on your way. You play the track for all your boys and it’s straight FIYA. So since it is hot you send it to a few A&R reps at some major labels. To your surprise most labels don’t respond at all and the ones that do respond saying thank you, but no thank you. Then, you contact a couple of managers and some attorneys and they give you a not so favorable review. Now you are angry at the A&R Reps, the Managers and the Attorneys but what you don’t realize is that you recorded a demo not a record. See, Tim’s brother is a beatmaker he is not a producer. Yeah he may have ProTools, Cubase or Logic but he has no knowledge of music production, mixing and mastering. I have recorded and mixed lots of songs for Indie Artist and one thing is common, they don’t know the difference between a producer and a beatmaker. A beatmaker makes the track or instrumental (hopefully he is good at it) and a producer puts the whole song together (music and vocals). If the whole song was a puzzle the track or instrumental would be a piece of that puzzle. I know as an Indie artist it is hard to find an intermediate or pro level producer because I have been there, but one thing you have to do is listen to your competitions production and, if it’s good, inquire about how they got such a good production and mix. You have to get to a point where you can be objective about your songs. I know it is your baby but for the sake of the song you need to be objective. One thing you should always do is when a person tells you they don’t like your song or your song is “ok” is ask them what they don’t like about the song. It could be something as simple as the the strings or the bass line. That will give you feedback on what you may need to work on. Always look for feedback whether is negative or positive. If you use feedback the right way it will help you grow. Remember “It’s all good”.
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